Browsing the: Archive

  • Category: Jury
  • Added: 18/04/16

Jury – Mamut Art Project, 2016

Mamut Art Project 2016 will take place at KüçükÇiftlik Park between the dates 21-24 April, 2016

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Project Archive:
20,22,23 November.2007 ifa-gallery, Stuttgart
29November,2007 ifa gallery Berlin

Artists: 2/5BZ aka Serhat Köksal, Ali Demirel, Asli Çavusoglu, Asli Sungu, Canan Senol, Erinç Seymen, Esra Ersen, Isil Egrikavuk, Nevin Aladag, Sefer Memisoglu, Özlem Günyol & Mustafa Kunt

Video Days

The festival Here…There…Abroad… screens a variety of artistic positions. Twelve artist videos and a performance aim to underline the need for a dialogue and for establishing a meaningful perspective on togetherness, society, realms of everyday. All the participants as well as the curator would traditionally be categorized as Turkish. However, this ascription is juxtaposed by the actual artists’ varying, sometimes hybrid biographical backgrounds.

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HERE..THERE..ABROAD.. reference point: Turkey

Project Archive:
29.09 – 05.10.2008 rum46 Aarhus, Denmark

Artists: Asli Sungu, Canan Senol, Erinc Seymen, Esra Ersen, Isil Egrikavuk, Isidora Ficovic, Nevin Aladag, Sefer Memisoglu, Solmaz Shahbazi

Here..There..Abroad.. has been realised as video days in Germany – Stuttgart and Berlin- by the invitation of ifa (Institut Fur Auslandbeziehungen) and have hosted 11 video screenings and a performance by Turkish artists. In Rum 46, Here..There..Abroad.. will be realised as an exhibition hosting nine positions which relate to each other and to the concept of the exhibition on various levels. Rum 46 will be hosting six video screenings, an installation, an artist talk and a performance by artists who are related to Turkey. (i.e. have born in Turkey or have produced in Turkey, have lived or living in Turkey…)

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  • Category: Texts
  • Added: 23/05/11

Commissioned texts on artists and curators for

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  • Category: Texts
  • Added: 13/05/11

Art Could Not Left Unchallanged

Turkey’s new emergence on the cultural map after many tumultuous years has provided the country’s artists not only with a sense of legitimization but also a wealth of historical experience from which to draw from.

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