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Dani Gal – On image as such

Jacques Ranciere in his influential book, The Future of the Image, unfolds the relationship
between the production of real and image through trajectories he draws on the ontology of
image and the apparatuses of its production. The notion of the image he investigates is not of
its synthetic nature but an examination of certain idea of fate and certain idea of image that
are tied up in the apocalyptic discourses of today’s climate.1

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